Archive for the 'Japan' Category

Design Perspectives

What do you notice about the design of these web pages (aside from the fact that they’re not English)?

The top 3 are Korean and the bottom 3 Chinese - all are popular portals. Naver is Korea’s premier search engine (with 77% of the market there) and Cyworld could be compared to Facebook (with over 20 million users).

If your first reaction is that all these sites are very crowded and densely packed with content then you’re not alone. Your second reaction might be to ask why would they design something so cluttered, and from a western perspective lacking in the clarity and simplicity that we’ve come to expect from “good design”. It’s certainly not very “Web 2.0″, as we know it anyway.

It turns out a lot of other people are thinking the same thing. Different theories for why there is this marked difference are abundant, ranging from the influence of Buddhist principles whereby “strong and rich colour, density, and opulent presentation symbolize happiness and wealth”, otherwise termed the ‘aesthetics of abundance’, to different advertising models and the way in which people read/scan different languages. It seems no one has a definitive answer which means there’s definitely room for research here.

What I find fascinating is that two almost entirely different ways of looking a web design have emerged from a common set of technologies used by different cultures. It’s even more applicable when you consider western firms doing business in East Asia where a simple re-branding exercise is clearly going to be insufficient.

Another interesting point in fact is that whereas in the west we are used to accessing and advertising websites by their URL (e.g. www.randomwire.com), in East Asia the search box is king and URL’s are virtually redundant. These so called “navigational searches” may have something to do with the complexities of typing roman characters on input devices especially designed for Japanese/Korean/Chinese but still seems a pretty good idea to me and one which I expect will slowly make its way westwards in time, especially with the rise of the mobile internet where typing is even more cumbersome.

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London -> Tokyo by Train

Sometimes you come across an idea which is so mad that it might just have a chance of success. This was the case when I first heard about proposals to dig a 200km+ undersea train tunnel between Korea and Japan in a similar fashion to the Channel Tunnel which connects Britain and France (albeit 4 times longer). The tunnel has a number of proposed routes, a couple of which would see it also pass through the territorially disputed islands of Tsushima and Iki on it’s path.

It’s estimated that it would cost around 100 trillion Won (£1=W2000) and 15 to 20 years to build the so-called “peace tunnel” which would be a joint venture between the two countries if it ever comes to fruition. The technical, economic and political feasibility of the project is currently being estimated but it is still far from clear whether it will ever get the go ahead given the uncertainties.

Aside from improving relations between the two countries and promoting economic growth what excites me about this project is the wider implications for trans-continental travel around the world. With the cost of flying rising every year and the environmental impacts ever more present could high-speed rail links, taking advantage of new connections such as this, be part of the solution?

If the tunnel is ever built it would be physically feasible to travel by train all the way from London to Tokyo without the need for flying (ignoring the small problem of North Korea for the moment!) and combined with new technology in the future such as magnetic levitation the journey time wouldn’t necessarily be a huge amount longer than flying.

In the wake of the devastating earthquake in China yesterday you have to wonder whether building a massive underwater tunnel in an area of tectonic instability is a good idea but as pipe dreams go (excuse the pun) I’m all in favour! Humankind has always strived to push the boundaries of science, technology and engineering and it can’t be a bad thing if this helps bring together two historically hostile neighbours.

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Ghost in the Shell Live Action

What exactly is the definition of human in a society where a mind can be copied and the body replaced with a fully synthetic body? Where is the boundary between human and machine when the differences between the two become more philosophical than physical? Ultimately how do we define what it is to be human?

I’m not going to try and answer this today but these are the philosophical questions that form the basis of the futuristic manga and anime series ‘Ghost in the Shell‘ created by Masamune Shirow (first published in 1989). Whilst being nearly 30 years old the franchise is still alive and well with three movies, a TV series, game and trilogy of novels being spawned from it along with many aspects having slowly percolated into popular culture (it heavily inspired The Matrix).

With such a strong pedigree it’s rather worrying that Production I.G has sold the rights for a live-action movie to DreamWorks under the direction of none other than Steven Spielberg. For fans this is a pretty worrying development. Whist there is no denying Spielberg’s talent it’s an altogether different proposition when applying it to something like this, the main fear being that it will be severely dumbed down for a Hollywood audience.

If they can respect and stay faithful to the original maybe this has a chance but then again the likelihood of that is pretty low – the precedent is already pretty well established for ruining Asian cult classics.

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GO! GO! PiKAPiKA!!

We interrupt our usual coverage to bring you one of most unique short animated films I’ve seen in a long time from some very creative folks in Japan (all made without a single drop of CG):

PiKAPiKA THE MOVIE

Using stop-motion animation and time-lapse photography techniques the film was shot in Tokyo over a period of 10 nights, using 77 people, different coloured flashlights, and a digital camera with a long exposure to capture over 16,000 frames (behind the scenes). It’s no small feat for a semi-amateur production and the end result certainly has the wow factor.

A group in Germany called Lichtfaktor do something similar for a living and have made some seriously cool tv ads which you can find on their website. It would appear to becoming a bit of a fringe art form with some calling it “light writing” or “light graffiti” but a whole lot less destructive than its spray-on counterpart (interview)!

You’ve got to wonder when Sony will commission someone like this to do a Bravia advert for them - it certainly has all the right visual elements to go with their “colour like no other” campaign.


Photo by Lichtfaktor

Painting with light is something which anyone can try fairly easily themselves, still images being the simplest. You’ll need a tripod and a camera which can do exposures of 10-30 seconds at around iso100 with as small an aperture as possible (plus a whole lot of practice and patience!).

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Polyrhythm

Perfume Jpop Group

Whilst wandering through the crazy land of wonderful things that is the Internet I came across Perfume (パフューム), an up-and-coming techno/electro-pop group from Hiroshima, who have recently released a rather catchy new track “Polyrhythm” (ポリリズム). The heavily synthesized style shares a striking resemblance to two of my other favourites - Polysics and Capsule. [via]

To promote the single they also did a recycling awareness video, an interesting synergy to say the least!

I always find it interested to see how technology (past, present or futuristic) permeates into popular culture and in particular Japan, where it seems to be embraced unlike anywhere else. Art mirroring life, life mirroring art or commercialism wrapped up in a placebonic package?

More videos after the break…

Continue reading ‘Polyrhythm’

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