Tag Archive for 'Film'

Overlooking The East

There have been some amazing advances in CG animation over the past few years with Pixar having a string of hits which seem almost unstoppable and meanwhile a new level of sophistication is emerging both in the visual style and story telling departments. What I find strange though is that the creative output of the Japanese animation (anime) industry is still largely ignored by the west (with a few exceptions) even though they produce more content than every other country put together. I would suspect this has something to do with the cultural gap which can be particularly evident if you are unfamiliar with that part of the world although for me makes it all the more interesting…

Recently I’ve seen two anime films which I’m sure most people will not have heard of but which use cutting edge animation to great effect and if you enjoy that sort of thing definitely worth getting your hands on -

Appleseed Ex Machina

Following on from first film in 2004 Appleseed Ex Machina takes the unique look to the next level in evidence by a greater depth of detail and texture than its predecessor. Whilst some of the character articulation needs work it’s still a visual feast to behold. Cyborgs and mecha eat your heart! [Review]

Vexille

Whilst borrowing on a similar visual style Vexille is an altogether darker film in both its appearance and tone. Set in a self-isolated Japan of 2077 the visuals are outstanding and, even though the score by Paul Oakenfold is unorthodox, it’s refreshing and compliments the excilarating action scenes. [Review]

Neither of the story lines here are totally unique and the character development is sometimes lacking but if you’re after eye candy they might just blow you away!

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Ghost in the Shell Live Action

What exactly is the definition of human in a society where a mind can be copied and the body replaced with a fully synthetic body? Where is the boundary between human and machine when the differences between the two become more philosophical than physical? Ultimately how do we define what it is to be human?

I’m not going to try and answer this today but these are the philosophical questions that form the basis of the futuristic manga and anime series ‘Ghost in the Shell‘ created by Masamune Shirow (first published in 1989). Whilst being nearly 30 years old the franchise is still alive and well with three movies, a TV series, game and trilogy of novels being spawned from it along with many aspects having slowly percolated into popular culture (it heavily inspired The Matrix).

With such a strong pedigree it’s rather worrying that Production I.G has sold the rights for a live-action movie to DreamWorks under the direction of none other than Steven Spielberg. For fans this is a pretty worrying development. Whist there is no denying Spielberg’s talent it’s an altogether different proposition when applying it to something like this, the main fear being that it will be severely dumbed down for a Hollywood audience.

If they can respect and stay faithful to the original maybe this has a chance but then again the likelihood of that is pretty low - the precedent is already pretty well established for ruining Asian cult classics.

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GO! GO! PiKAPiKA!!

We interrupt our usual coverage to bring you one of most unique short animated films I’ve seen in a long time from some very creative folks in Japan (all made without a single drop of CG):

PiKAPiKA THE MOVIE

Using stop-motion animation and time-lapse photography techniques the film was shot in Tokyo over a period of 10 nights, using 77 people, different coloured flashlights, and a digital camera with a long exposure to capture over 16,000 frames (behind the scenes). It’s no small feat for a semi-amateur production and the end result certainly has the wow factor.

A group in Germany called Lichtfaktor do something similar for a living and have made some seriously cool tv ads which you can find on their website. It would appear to becoming a bit of a fringe art form with some calling it “light writing” or “light graffiti” but a whole lot less destructive than its spray-on counterpart (interview)!

You’ve got to wonder when Sony will commission someone like this to do a Bravia advert for them - it certainly has all the right visual elements to go with their “colour like no other” campaign.


Photo by Lichtfaktor

Painting with light is something which anyone can try fairly easily themselves, still images being the simplest. You’ll need a tripod and a camera which can do exposures of 10-30 seconds at around iso100 with as small an aperture as possible (plus a whole lot of practice and patience!).

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Hello to Tomorrow

Eurostar, the high speed train which runs under the English Channel (through the Channel Tunnel) between London and Paris, has recently relocated to St. Pancras International station in London (from Waterloo). It’s grand new home, celebrated for its Victorian architecture and often termed the ‘cathedral of the railways’, features heavily in a recent TV advert for the service which clearly draws heavy inspiration from another classic (in style, if not in substance at least):

The Eurostar AD (2007):

Koyaanisqatsi (1982):

For an iconic film which so few people know of, but had such a deep impact on the way we viewed the world, it’s nice to see this little homage (complete with Philip Glass soundtrack). Even though purists may see this as denigrating the originals’ artistic integrity isn’t imitation the sincerest form of flattery?

From a purely marketing perspective it definitely gets the right message across.

More video segments from Koyaanisqatsi after the break…

Continue reading ‘Hello to Tomorrow’

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The Machine Girl

The Machine Girl

In the world of ultra-violent Japanese films they don’t come much more insane than this:


NOTE: TRAILER NOT FOR THE FAINT OF HEART

Yakuza, Ninjas, Sushi, Chainsaws, Flying Guillotines… it has it all! Where else in the world would you find a movie about a school girl seeking revenge on her brothers killers and the loss of her own arm (conveniently replaced with a gun)?!

I’m not saying the film will be any good but it might just be crazy enough to become a cult classic. [via]

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